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Silicone Painting

 

- This is for pre-painting pieces (busts, appliances....)

 

- Silicone paints consist of 3/4 elements. 1 is naptha (solvent base). This can be panel wipe (cheapest option), lighter fluid, low odour white spirit (not normal wipe spirit), lighter fluid for small batches or naptha in its purest form. 

 

- The other part of the paint is the silicone. Evo-stick 1 hour shower (much cheaper and sets quickly, Available at wilkos), other silicone sealers, 2 part silicones (the parts A and B - this would then be the same molecular structure as the piece you are painting on so you know it would stick. The other

silicones you would have to experiment and see what sticks). 

 

- There is no particular ratio, but much more naptha than silicone. Stir it until it dissolves. You want it a bit thinner than cap plastic. Naptha breaks down the silicones molecular structre, meaning you have a lot longer working time with the silicone. You can pre-mix silicone paints and freeze them for months at a time. 

 

- Element number 3/4 is the pigments. Silicone pigments (techno-vent or factor 2. Can buy in powder form and add silicone oil, Polymer Systems), oil paints, 

 

- Element number 4 is silicone oil (not always necessary). Helps blend colours, silicone pigments. It binds the silicone and colour together more. 

 

 

Cleaning the Piece

 

- Naptha will cause silicone to swell. 

- SIlicone is porous

- Can't clean with any alcohol if the piece is encapsulated obviously. You shouldn't need to clean it but if its been out for a couple of weeks, it may be dusty, so clean it over with a damp cloth

 

Making up the paints:

- CLean out brushes afterwards with naptha

- You want to create very translucent colours - don't make any opaque shades

- Can use oil paints in exactly the same way but after a few months/a year, the oil paint will leach out of the silicone. So oil paint will work for a prosthetic appliance for short use, but not for a long0term display piece

- Any blacks or whites painted on will destroy the illusion of realistic skin

- REFERENCE IS KEY 

- This is for pre-painting. Can go over with alcohol paints after. Bluebird alcohol paints flex more but will also eventually crack off. Silicone sticks to silicone, so this is the best way to have long lasting colours.

- BUILD UP LAYERS OF TRANSLUCENT COLOUR. Don't load up more pigment if you can't see it, as the illusion of realistic skin, as it will shatter the effect. 

- Paint in blue-tones to create shadows, in the deepest shadows. Then green for secondary shadows, shallower shadows, 

- Ron Mueck palette. Hyper realstic sculptor

- Can dry layers off and powder them in between layers. Not talc, but cab-o-sil to powder or baking powder or icing sugar

- Can sponge areas with colour - DON'T USE A LATEX SPONGE OR THE SILICONE WILL NEVER CURE

- Purple for really deep shadows

- Green is key when mixing skin-tones. Overlap a slight but of green at the tail-end of lines and shadows to tail it off

- Nose, cheeks, brow and lip area are more flushed. DO NOT BRUSH ON COLOUR, you don't want to create brush marks with the silicone. Can stipple it one, can use a small brush and just let it move about randomly to create dabbing red patterns. Reds build up very quickly so keep them very subtle. Add some blue to your reds every now and then to break them up slightly so give a more random, realistic appearance.

- If you add a colour you dont like, try and remove it quickly with tissue and naptha

- For flicking colours, like freckles, make the paint slightly more opaque (Harris brushes from ASDA)

- Thickish purple/red colour for cappiliaries. Can use some thread - put it in the paint and lay it on the silicone piece. Or seperate tiny pieces of silk thread and paint the pieces on

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hair Punching:

 

- Can use pin vices or knife to secure in hair punching needle

- Don't buy the needles, make your own. Felting needles don't work very well. 

- Grind it down with a dremmel or sand-paper

- You can bulk hair punch, but obviously you wouldn't for eyebrows or eyelashes....

- Make sure you don't punch all the way through so that the hair doesn't poke out the other side and irritate your actor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hair Flocking:

 

- Flocking creates a static field which you pass through glue or adhesive to attatch the flocking. The flocking gun creates the field

- Thats how Sylvannian Families are made

-  Flocking comes in all sorts of colours and various lengths

- If you wanted to flock silicone you'd have to use a silicone adhesive

- Put lids on everthing so that the flocking doesn't fly out

- Use pros-aide if you want

- The glue needs to be wet so that the current can go through it
- To avoid a bald patch, you'd put glue onto the mould and then attatch the flocking clip to that 

- The hairs all stand on end and you can blow them in the direction you want 

- You can tape over the head of the flocking gun to refine the shape and have more control

- Its not recommended to do on the face

- When its done on a person, they only need to hold the clip 

- Can punch hairs over flocking for a realistic effect

- Its very versatile

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M Spatola The Monstrous Makeup Manual Book Number 2 (2010) London: uknown

 

 

 

 

 

 

 

The makeup gallery. [online] Available from: http://www.themakeupgallery.info/fantasy/alien/who/newseries/hame.htm [ACCESSED: February 21st 

 

 

 

 

Debrecini, T. (2012) Special Makeup effects for stage and screen: making and applying prosthetics. 2nd edition. United Kingdon: Taylor & Francis, page 74 and 262

Further images and research into electro-static flocking. 

 

I can see how flocking would create really believable fur texture for areas of short hair. I assume once the flocking dries, any areas that require longer hair are then hair punched in, such as whiskers.

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Brick In The Yark Mold Supply (2013) Special Effects Tutorial: Hair Punching Tips [online] Available from:https://www.youtube.com/watch?v=-hHcpEavXsA&spfreload=10 [ACCESSED: January 29th 2015]

Lars Calsson (2011 )An introduction to hair punching by Makeup-FX.com (Low res version) [online] Available from:https://www.youtube.com/watch?v=6LpzIOP6qRI&spfreload=10 [Accessed: January 29th 2015]

 

 

 

 

Evan Campbell . Hair Punching Tutorial. (uknown) [online image] Available from:http://www.pinterest.com/pin/563090759633490701/ ACCESSED: January 28th 2015]

These videos gave me more insight into ther finer details of hair punching, such as considering the direction of growth, and only punching single hairs for beards and eyelashes.

You can also buy specific hair punching needle for multiple hairs to cover large areas. If the area is particularly large and doesn't require super realistic detail, you can actually lay on the hair with silicone glue.

 

Hair punching is frequently used in films, as it creates the most realistic efect from hair coming out of prosthetics. 

Document on silicone painting n.d. [online] Available from: https://www.facebook.com/groups/362423150462990/612523908786245/ [Accessed: April 27th 2015]

This document was from Neill Gorton's 911 page in the files section. It gave some really thorough advice which was helpful. However, I don't think cleaning an encapsulated piece with IPA is ever a good idea, as retouching it would ruin the surface texture. 

 

Sealing the surface before and after painting with caulking/acetic silicone was not something we were taught in class, but it sounds like a good idea to maybe make the paint last for a long time if needs be. 

 

You can either use oil paints or acrylic inks or alcohol based paints (Skin Illustrators & co) or silicone pigments for pigmenting the silicone mix. 

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Stan Winston School (2014) Fur Transfer, Electrostatic Flocking & Hair Punching - PREVIEW [online] Available from: https://www.stanwinstonschool.com/tutorials/fur-transfer-electrostatic-flocking-and-hair-punching [Accessed: May 10th 2015]

Deborah Galvez is an expert on fur transfer, electrostatic flocking and hair punching, and has made pieces for The Life of Pi. 

 

This video shows that electrostatic flocking and hair punching can be used in conjunction to create a leyering up realistic hair effect.

hairpunchinggirl n.d. [online] Available from: http://www.hairpunchinggirl.com  [Accessed: April 27th 2015]

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These are examples of Denises' work for film purposes. You can see her attention to detail creates such realistic pieces.

The shape and fade of the hairline on her male actors creates realism that no-one would question. I imagine that researching both the actors real hair and designing a specific hairline are key to creating these pieces. 

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